DXARTS GAllery Research Exhibition 2026

Shedding Senses

Ongoing Research Kinetic Sensing Scultpures  & Performance


2026

Maria Thrän 
University of Washington

I was always drawn to working with latex as a material — the sense of it, the haptic, the transparency, the elasticity, the sensuality of something so thin and almost skin-like. At the same time, I was drawn to the idea that it is the sap of a tree, a substance that protects against infection and seals a wound to heal. I begin with the material intelligence of the rubber tree (Hevea brasiliensis), a technology that has never been fully achieved or synthetically reproduced by humans and has therefore been heavily extracted, especially by the Western world, for use.

What does it mean to create with that materiality as a white queer artist and to approach latex not as a symbol, but within the tension of extractive histories that demand accountability?

What does it mean to enter a relation with a material, to perform with it, without pretending not to extract, but staying with that tension?

How can relational infrastructures reorganize exposure without eliminating tension?

This research is my ongoing doctoral research, where I develop multi sensing system: body extentions to transmitt and recieve, soft speakers, antennas, and scultpures.

This is a beginning, a way of thinking through a performance series I developed with latex, and through small rituals. I staged them in the wetlands in Seatte to experience and question my relation to non-human entities, to my own body, and to its gaze.

research exhibition DXARTS Gallery 2025


Latex darkens, curls, cracks, and gradually sheds; graphite drifts and fractures; coils interfere unpredictably. Instead of stabilizing these behaviors, they define the aesthetic and conceptual direction.The materials themselves produce the sonic and visual language: soft vibration, internal brightness, noisy modulation, fragile resonance.
Shedding Senses emerged from that tension; it became a way of asking whether care can operate not as consolation, nor repair, nor innocence, but whether it can interfere. A mode of staying with the exposure, my accountability, and embodied relation without resolving them too quickly. A structural mediation that interrupts while staying with tension and ambivalence.
In the long-term project, these membranes, sensors, antennas, and light components will enter into dialogue with environmental forces such as river magnetism, humidity, and moving water.

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Thrän's artistic focus lies at the intersection of visual arts, music, and experimental research. Her works reflect on ecological and social dimensions and always incorporate the diverse relationships between space and body.

ON(e) Distance

Works